Tuesday, August 11, 2009

'Dead' A-Bomb Hits U.S. Town, 1958.


Three years before I was born, an a-bomb happened to fall near my hometown in South Carolina. The pilots did not know that it had fallen until they landed at the nearby airbase and noticed that it was missing. My father took me by there a few times when I was a kid, and then I found this newsreel a few years ago at the Internet Archive (archive.org). One thing I like about the reel is that it is followed by a story about computer-assisted manufacturing, featuring Hughes Aircraft, who may very well have manufactured the bomb mounts in the plane. But not to worry in the computer-assisted factory of the future.
By chance we vacationed on Tybee Island last year, and I ran across this little story about another lost a-bomb somewhere just off the coast there. It seems that the proper authorities have never found this one!
It makes for a good reason to show Dr. Strangelove to my Intro. Cultural Studies students.

Saturday, August 1, 2009

"Exhuming Rwanda's Gorillas: Fossey's Legacy"

NPR is currently running this series on its website. Researchers are at work ehuming the remains of the gorillas that were studied by Dian Fossey. Erin Marie Williams records the field dispatches available at http://www.npr.org/templates/story/story.php?storyId=106843731

Monday, July 27, 2009

Interpreting Weill and Eisler: Dagmar Krause and Ute Lemper.

Once one of my students approached me and excitedly related how she had just heard Ute Lemper. My student (whose name I will not mention) was so happy to have found this new music that I only encouraged her to listen to more. Actually, what I wanted to tell her was to listen to Dagmar Krause's interpretations instead. It must be said that Ute Lemper's interpretations of Weill are very popular, and that they are just that, popular. They are finely tuned for the ear of the lover of a musical theater that is either without social content, or that has been, as in the case of her interpretations, often stripped of its social aspects.
This might seem too harsh a judgment, and it can be countered by:
1] the songs themselves always carry their social meaning; and
2] that the setting of these songs was in popular musical theater, and so to emphasize this aspect of the songs is more important than their intended content. The last objection is of course akin to those who make comments like "I never listen to the lyrics, I just like the beat." Such a level of interpretation seems legitimate and difficult to rebut precisely because it is so lacking in any worthwhile content.

Krause elevates what might be a mere show-tune to the level of a song. Lemper's emphasis is on the show-tune. Now one might say that these are show-tunes and so Lemper's performance is more "authentic." This is to a certain extent quite true, if one is looking for authenticity. But the authenticity of a time is also its illustrative of its ideological apparatus. And so to be more authentic is just as much to put on the ideological blinders of the period and place, and these affirmations of this period and place were beyond a doubt to be found on Broadway and in Hollywood.

Krause on the other hand brings out the negative, critical aspects of the songs, for Broadway was not the only context for the songs of Weill and Eisler. Some of course come before their engagement with Hollywood and the musical theater. All the songs have a negative, or critical, aspect that only Krause is able to reveal to the listener. The larger context for the songs are of course the era of the World Wars, with all its social and political upheaval. Krause's interpretation places the songs not in the theater, but in the social world.

The differences in Krasue's and Lemper's interpretation carries over into their voices. Krause again places these in a larger context by reminding the listener of her earlier performances with Henry Cow, and The Art Bears bands noted not only for their music, but for their politics as well. That some insist on referring to her voice as "highly original and idiosyncratic" or even "the voice of the angel of the Apocalypse" is due only to the distance these bands were from the conventions of popular music. Knowing these earlier associations, the very fact of her interpreting them moves the songs of Weill and Eisler away from the theater and back into the stream of music associated with Krause's earlier solo and group recordings. In doing so, Krause has changed what it means to authentically interpret these songs.

Below are to clips that illustrate the point.
For Ute Lemper you have to follow the link as it cannot be embedded.

Ute Lemper ~ Surabaya Johnny:
http://www.youtube.com/watch?v=Yxz81DtK_9k

Dagmar Krause ~ Surabaya Johnny: Unfortunately the only one from the records that I could find.


See Krause's
Supply and Demand: Songs by Brecht/Weill and Eisler (1986, LP, Hannibal Records)
Angebot und Nachfrage (1986, LP, Hannibal Records)
Tank Battles: The Songs of Hanns Eisler (1988, LP, Island Records)
Panzerschlacht: Die Lieder von Hanns Eisler (1988, LP, Island Records)
Voiceprint Radio Sessions (1993, CD, Voiceprint Records)

These is another performance of Lemper that shows the show-tune side of a Weill song: Ute Lemper "The Saga of Jenny" at the Internet Archive
http://www.archive.org/details/the_saga_of_jenny

Sunday, June 28, 2009

BRBIII v. I.C. Wiley, c. 1977

White: BRBIII
Black: I.C. (Issac Cyrus) Wiley
c.1977
Opening: ELO A01 - Nimzowitsch-Larsen Attack

1.P-QN3 N-KB3 2.B-N2 P-Q4 3.P-K3 B-B4 4.N-KB3 N/1-Q2 5.B-N5 P-K3 6.0-0 B-Q3 7.R-K1 0-0 8.P-KR3 P-QR3 9.B-K2 N-K5 10.P-Q3 N-N4


11.NxN QxN 12.B-N4 BxB 13.QxB QxQ 14.PxQ N-K4 15.P-N5 P-QB4 16.N-Q2 P-N4 17.R/R-Q1 N-B3 18.P-R3 R/R-N1 19.P-N3 R/B-Q1 20.K-N2 P-QR4


21.R-QN1 B-B2 22.R-KR1 R-N2 23.P-K4 N-Q5 24.BxN PxB 25.R/R-K1 PxP 26.RxP R-Q4 27.N-B3 B-N3 28.P-R4 R-B2 29.R-N2 P-N5 30.R-K5 R/2-Q2


31.R-N1 B-B2 32.RxR RxR 33.K-R3 K-R1 34.R-K1 K-N1 35.R-K4 B-N3 36.R-K5 RxR 37.NxR P-B3 38.PxP PxP 39.N-B4 B-B2 40.K-R4 K-B2


41.K-N4 K-N3 42.P-B4 P-R4+ 43.K-R4 K-R3 44.N-Q2 B-Q1 45.N-B3 B-N3 46.K-R3 K-R2 47.K-R4 K-R3 48.K-R3 K-R2

Draw Agreed ½-½

Monday, June 22, 2009

Louis Agassiz and the Timetree of Life

There is a resemblance between the representation of Natural History by Louis Agassiz and the Timetree of Life. Of course, there is a vast gulf that separates them. Agassiz comes at the end of the era of dominance of Natural History and of polygenism, the scientific theory that the "races" constitute separate species. Agassiz was a proponent of polygenism and one of the most powerful critics of Darwin. It is difficult to see, but at the apex of his representation is a crown that rests atop the entry for Man. in the center are the four elements and an indistinguishable mass (God). In the Timetree, the Earth is at the center of the table and humans are just one small line in a vast natural world. One can actually see the decentering of humans accomplished by Darwin's work.


The Timetree of Life.
Stephen Jay Gould had a nice little "unpopular" essay on this topic "Cones and Ladders: Constraining Evolution by Canonical Icons." Gould mentions too the enduring influence of Ernst Haeckel's Tree of Life ---which is topped by "Menschen"--- on the common understanding of nature. Gould also held the Louis Agassiz chair at Harvard. While writing his "Mismeasure of Man," Gould found in the Agassiz archive the full text of a letter from Agassiz to his mother in which he described is first encounter with Negros. In 1846 Agassiz had arrived in the United States a noted Naturalist and needing to avoid some debts back in Europe. He immediately traveled to Philadelphia to meet Dr. Samuel G. Morton. Morton was the leading scientific proponent of polygenism and had amassed one of the largest crania collections in the world. Gould spent a great deal of time replicating Morton's experiments measuring their cranial capacity.
This is the text of Agassiz's letter to his mother as first published by Gould:

It was in Philadelphia that I first found myself in prolonged contact with Negroes; all the domestics in my hotel were men of color. I can scarcely express to you the painful impression that I received, especially since the feeling that they inspired in me is contrary to all our ideas about the confraternity of the human type [genre] and the unique origin of our species. But truth before all. Nevertheless, I experienced pity at the sight of this degraded and degenerate race, and their lot inspired compassion in me in thinking that they are really men. Nonetheless, it is impossible for me to reprocess the feeling that they are not of the same blood as us. In seeing their black faces with their thick lips and grimacing teeth, the wool on their head, their bent knees, their elongated hands, their large curved nails, and especially the livid color of the palm of their hands, I could not take my eyes off their face in order to tell them to stay far away. And when they advanced that hideous hand towards my plate in order to serve me, I wished I were able to depart in order to eat a piece of bread elsewhere, rather than dine with such service. What unhappiness for the white race---to have tied their existence so closely with that of Negroes in certain countries! God preserve us from such contact!

It was during this time that Agassiz met Samuel Morton, whom Agassiz recognized immediately as a scholar who was “after Georges Cuvier... the only zoologist who had any influence on his mind and scientific opinions.”



Haeckel's Tree of Life

Thursday, June 18, 2009

Electron microscope view of Ant (with zoom)


From the New Scientist "Short Sharp Science" blog
If you like ants, this will give hours of fun viewing. It might even be good for doing a bit of invertebrate zoology as well. I have sadly have not had an ant "farm" in many years. I once had one that was made from a tall window, about 5 feet tall, three inches wide, and 1 1/2 feet across. It was great but the thought that several thousands ants were living in my room really annoyed my house-mates at the time. Of course, it was great and I might build a new one sometime in the future.

Sunday, May 24, 2009

The Hanging of Amy Spain in "the Beautiful Village" of Darlington, S.C., March 1865.


While reading the history of my home town, Darlington, South Carolina, I came upon a section of letters regarding the hanging of Amy Spain, a 17 year old slave, on March 10, 1865. It is a truly remarkable story about which I want to compile as much documentation as possible, perhaps for a small volume along the lines of Michel Foucault's Herculine Barbin. Of course, the difference being that Amy Spain never got to speak or write her side of the story. All that remains are the accounts of others. [Note (2026): The account has instead become the prologue to my manuscript War, Reconstruction, and Memory: the Lives and Times of Capt. Paul Whipple and Kate Rains of New Boston, N. H. and Darlington, S. C., 1840-1915.] 
 
The hanging was important enough to appear in Harpers Weekly of September 30, 1865, with aspects of the account then being disputed in the pages of Darlington's New Era newspaper. Amy Spain was enslaved by a prominent local lawyer and hero of the invasion of Mexico, Major A. C. Spain, who acted as her counsel at her trial before a rebel military commission. Amy Spain was entrusted with the care of the Major's two daughters, and he wrote that: "Amy's temper was hot, hasty, and ungovernable, yet to me, as her master, she was always dutiful up to the unfortunate time when she exhibited traits of character, adopted a line of conduct, used expressions, and committed acts which contributed to the violent termination of her existence at the early age of seventeen." 

A.C. Spain had been called up in the final days of the war and, he said, left the care of his plantation in the hands of his "aged" father. Upon the appearance in town of a scouting party of Sherman's forces (I have almost narrowed down and after a bit more research think that I can identify which Union and Sesech units were in the area at the time), Amy Spain and many others thought that liberation had come. Unfortunately, from what I have read in the Union records, the main body of Federal troops remained outside the town because of flooded river crossings and so only dispatched a small detail to scout and retrieve supplies. The troops then returned and continued on into Florence (the site of a large prisoner of war camp which they were no doubt anxious to liberate) and to pursue retreating forces. Amy Spain had in the mean time declare that she was free and promptly took possession of many of the household goods of the Major, taking them to her own home and declaring that the fruits of slavery now belonged to the freed slaves. Unknown to her, Confederate troops had returned to the town and, to help establish "order," arrested her for her "crime." The Harper's writer describes what happened next, though this is disputed by some.
Hanging of Amy Spain
Harper's Weekly
September 30, 1865, page 613

One of the martyrs of the cause which gave freedom to her race was that of a colored woman named Amy Spain, who was a resident of the town of Darlington, situated in a rich cotton-growing district of South Carolina. At the time a portion of the Union army occupied the town of Darlington she expressed her satisfaction by clasping her hands and exclaiming, "Bless the Lord the Yankees have come!" She could not restrain her emotions. The long night of darkness which had bound her in slavery was about to break away. It was impossible to repress the exuberance of her feelings; and although powerless to aid the advancing deliverers of her caste, or to injure her oppressors, the simple expression of satisfaction at the event sealed her doom. Amy Spain died in the cause of freedom. A section of Sherman's cavalry occupied the town, and without doing any damage passed through. Not an insult nor an unkind word was said to any of the women of that town. The men had, with guilty consciences, fled; but on their return, with their traditional chivalry, they seized upon poor Army, and ignominiously hung her to a sycamore-tree standing in front of the court-house, underneath which stood the block from which was monthly exhibited the slave chattels that were struck down by the auctioneer's hammer to the highest bidder.

Amy Spain heroically heard her sentence, and from her prison bars declared she was prepared to die. She defied her persecutors; and as she ascended the scaffold declared she was going to a place where she would receive a crown of glory. She was rudely interrupted by an oath from one of her executioners. To the eternal disgrace of Darlington her execution was acquiesced in and witnessed by most of the citizens of the town. Amy was launched into eternity, and the "chivalric Southern gentlemen" of Darlington had fully established their bravery by making war upon a defenseless African woman. 
A sort of vindication/sermon letter-to the editor like the following is typical of those offering an apology for the execution of Spain: 
W. A. Gamewell. October 10, 1865.  For The New Era.   https://historicnewspapers.sc.edu/lccn/sn84026895/1865-10-17/ed-1/seq-3/   
 
Recently, The Fortress on Youtube produced a short video on Amy Spain:  
 

"The HORRIFIC Execution Of The Teenage Female American Slave"
https://youtu.be/w-NBm2dQ2-0?si=BDuAo4wX2gQU6jSL&t=332 
 
 
Note that the following story in the issue of the New Era details the Andersonville-like horrors at the POW camp known as the "Stockade" (officially the "Confederate States Military Prison at Florence") just a few miles away in Florence: "2,802 Union soldiers died there and most were buried in unmarked trenches in what would become the Florence National Cemetery after the war." https://en.wikipedia.org/wiki/Florence_Stockade


One can draw a line connecting the general system of enslavement to the treatment of POWs in Florence to the system of justice that condemned and executed Amy Spain and to the justifications, forgetting, and rewriting of the stories of all of those events by people such as Rev. Gamewell. The historical truth is, of course, impossible to finally establish, but I think the story should be preserved. 

According to all accounts, Amy Spain was executed and then buried wearing the clothes of Spain's daughters.  Though she was supposedly executed by the Confederate soldiers as an example to the the enslaved... the spectacle of the scaffold to preserve the social order.  Jim Crow began before the Civil War ended, and there was an attempt to erase her from history, just as her grave was left unmarked.  Amy Spain, whose initials were those of her enslaver, revolted against her oppressors and proclaimed her liberty.  She spoke of the aspirations of many and for that she got the noose in the central square of the beautiful village of Darlington.  The Harper’s account concludes:
 
She sleeps quietly, with others of her race, near the beautiful village. No memorial marks her grave, but after-ages will remember this martyr of liberty. Her persecutors will pass away and be forgotten, but Amy Spain's name is now hallowed among the Africans, who, emancipated and free, dare, with the starry folds of the flag of the free floating over them, speak her name with holy reverence.
 
In 1868, Ridgway George Rowley published a collection of his work including a poem about the execution of Amy Spain.  Some bioigraphical detains abut Rowley are provide with this letter to his sister:  Ridgeway George Rowley to his Sister
https://sparedshared22.wordpress.com/2021/05/23/1861-ridgeway-george-rowley-to-his-sister/ 
 
Poetry and Prose Selections from the Works of Ridgway George Rowley, 1868.
Amy Spain
(Amy Spain was a colored woman of Darlington, South Carolina, the center of a rich cotton growing district. At the time of the entrance of the Union army under Sherman into the town, this poor slave, unable to restrain her emotion, in the supreme joy of her heart involuntarily exclaimed: “Bless the Lord, the Yankees have come!” For this, and this alone, immediately after the troops had left, she was taken by the citizens of the town and hung to the limb of an old sycamore tree, which stood in front of the Court House. An auction block used in the monthly sale of “chattels”, served as a scaffold. From this Amy Spain was launched into eternity. She died in the firm spirit of a martyr, with a prayer up on her lips, which was rudely interrupted by the oaths of one of her executioners.)

Oh, stand old sycamore tree!
A long, long life to thee!
And ever keep from harm,
Neath thy sheltering arm,
That Hall of Justice free;
To teach proud Chivalry
That the name
And martyred fame
Of Amy Spain
Shall remain
Till trees shall cease to grow,
And streams of Justice flow.

Let birds above thee sing,
While maids beneath thee bring
Flowers sweet flowers of May,
Around thy limbs to lay;
Thus consecrate, of thee,
A shrine to liberty
That the name
And storied fame
Of Amy Spain
Shall remain
Till songs no more are heard
From maiden or from bird.

In the calm stilly night,
When the stars are shining bright,
Looking down with their eyes
From the mild blue skies,
Amy’s spirit then shall come
To the town of Darlington,
For the name
And quenchless fame
Of Amy Spain
Shall remain
As long as night shall be,
And stars shine brilliantly.

To the watchers of the dead,
To the weary in their bed,
Mid their dreams, and their sleep,
In the hour of midnight deep,
Shall be heard the voice of one,
“God bless them, they have come.”
So the name
And martyred fame
Of Amy Spain
Shall remain
On South Carolina’s shore,
Evermore! evermore!

Oft, that same block of wood
Fore thee in terror stood;
But now its fears are gone
Tis a mercy-seat alone,
Since, through eternity,
It gives thee liberty,
While thy name
And gloried fame
Oh, Amy Spain
Shall remain
A beacon of the past.
To the people of thy caste.

Thou poor old slave to die.
And neath the sod to lie!
Green be the grass that grows,
And lightly lay the snows
Upon the honored grave
Of a most loyal slave.
Yea! the name
And martyred fame
Of Amy Spain
Shall remain
In story and in song
As the ages roll along.
 
It is often noted by locals of the day that there were no Sycamore trees around the Court House (though there was a Darlington Oak (Quercus hemisphaerica) and other trees) often using this detail to cast doubt upon the accounts of Spain's execution.
 
The courthouse where Spain was executed was Darlington's second, it was soon destroyed by fire in 1866 and replaced by this similar third courthouse in 1870.
 
See also: 
A short story based on the life of Amy Spain: 
“Searching for Amy Spain” by Merry Speece [2007 revisited]
https://deadmule.com/searching-for-amy-spain-by-merry-speece/
 
[Updated May 2021, September 2026] 



Monday, April 27, 2009

A Small Game of Chess

I do not usually win against my many chess programs. That being said, I also do not believe that Chess programs "think". The problem with the computer is that, unlike a human, it can access every game ever played. It is like a human having access to every book ever written and every game ever played, and you have only what you can remember and tactics and strategies that you have learned. However, I play almost every day. The best program I have found is GnuChess and the engine associated with it called Phalanx. The following game was played against a weaker, but still passable, program.

Chess,MS - BRBIII [B50]
April 25, 2009

1.P-K4 P-QB4 2.N-KB3 P-Q3 3.P-QN4 PxP 4.P-Q4 N-KB3 5.B-Q3 P-K3 6.B-KN5 Q-R4 7.BxN PxB 8.N/1-Q2 P-N4 9.P-Q5 N-R3 10.N-N3 Q-R5

11.N/B-Q4 N-B2 12.Q-B3 B-K2 13.N-Q2 B-Q2 14.N/2-N3 R-QN1 15.0-0 P-KR4 16.R/B-K1 Q-R3 17.R-K3 Q-B1 18.K-B1 P-K4 19.N-KB5 BxN 20.PxB Q-R3

21.B-K4 K-Q2 22.Q-R3 P-R5 23.K-K2 Q-N3 24.R-Q1 R/N-N1 25.R-QB1 K-Q1 26.R-Q1 N-R3 27.R-KB1 B-B1 28.K-K1 B-R3 29.R-Q3 B-B5 30.B-B3 N-B4

31.R-Q1 N-R5 32.B-K2 N-B6 33.R-Q3 NxRP 34.R-R1 P-R4 35.R-B1 P-R5 36.N-Q2 N-B6 37.Q-B3 P-QR6 38.N-N3 P-R7 39.N-R1 R-N4 40.P-N3 PxP

41.RPxP B-B8 42.RxN PxR 43.QxP P-N5 44.Q-B4 Q-B4 45.QxQ PxQ 46.B-Q3 R/4-R4 47.K-K2 R-R8 48.RxR RxR 49.B-B4 B-N7 50.BxP BxN

51.P-N4 R-R7 52.P-Q6 K-K1 53.B-N3 B-Q5 54.B-R4+ K-Q1 55.K-Q3 R-N7 56.P-KB3 R-B7 57.K-K4 R-K7+ 58.K-Q5 R-K6 59.K-B6 RxP 60.K-Q5 R-B5 61.B-N3 RxNP 62.K-B6 P-K5 63.B-Q5 P-K6 0-1

Friday, February 6, 2009

Two New Sources: history of the disciplines

Two new sources that I have come across recently. One, The Journal of the International Society for the History of Islamic Medicine may be on hiatus, but some of the articles are very interesting in terms of both Natural History and the Sciences of Life, with articles such as "Balneology: A Concept of Public Health –Bath Houses in Arabian Life" Vol.5 , No.9 - April 2006. Arish M.K. Serwani, Mashkoor Ahmed, et al.

The other is an archive of French books and materials on phrenology and degeneracy.
Cite - Scientifica: Bibliothèque Histoire des sciences has a great collection on both subjects, as well as 19th century advice on infant and child behavior.

Monday, February 2, 2009

Who Knew? "Not too much, and not none at all."



Given my new found hobby of reading cancer literature and contemplating the nature of the thymus, I stumbled upon this piece of knowledge that was just too good to pass up. It is from WebMD. So it is bad for you when you are young but good for you when you are old. I am sure that this will be duly explained by evolutionary psychologists (as it is a field that is usually not humble about advancing explanations). But until then, one might ask about the reliability of the responses to the question "So how often do you masturbate?"

Masturbation Frequency Linked to Prostate Risk in 20s, Protection in 50s
By Daniel J. DeNoon

WebMD Health News
Reviewed by Louise Chang, MD
Jan. 27, 2009 -- Frequent masturbation in young men is linked to higher risk of early prostate cancer, but it lowers prostate cancer risk for men in their 50s, a study shows.
"Frequent masturbation during men's 20s and 30s increased their risk of prostate cancer," Dimitropoulou tells WebMD. "But men in their 50s who masturbated frequently had decreased risk."
Of course, masturbation frequency is relative.
For men in their 20s, "frequent masturbation" was two to seven times per week. Compared to same-age men who reported masturbating less than once per month, 20-something frequent masturbators had a 79% higher risk of prostate cancer by age 60.
For men in their 50s, "frequent masturbation" was one or more times per week. Compared to same-age men who reported never masturbating, 50-something frequent masturbators had a 70% lower risk of prostate cancer.
What's going on? The study wasn't designed to answer that question. But Dimitropoulou and colleagues have some theories. .........
Meanwhile, Dimitropoulou, now at England's University of Cambridge, advises moderation for both younger and older men.
"It is kind of logical that a moderate level of masturbatory activity has to be maintained," she says. "Not too much, and not none at all."


The graphics are from From Searchlights on Health: The Science of Eugenics by B. G. Jefferis and J. L. Nichols, 1920. Gutenberg

Saturday, January 17, 2009

One of the best science essays I read last year was this one by Times Blogger Olivia Judson on the possibility of clouds being an unrecognized and unexplored ecological niche. The Wild Side, New York Times An excerpt: "Clouds. It’s been known for ages that microbes — bacteria, algae, fungi, and other tiny organisms — can be found in clouds. This isn’t surprising. Microbes often get airborne. They can be lofted by the wind from the leaves of a plant; or thrown into the air when a bubble of water bursts, and then lofted by the wind. They get high. They’ve been captured in the mesosphere — that’s the layer of atmosphere above the stratosphere — as much as 70 kilometers (more than 40 miles) above the Earth’s surface. And microbes regularly travel long distances by wind. Indeed, in 1832, Charles Darwin, at sea on the “HMS Beagle,” noticed that dust had landed on the ship; and from the position of the wind and the ship, concluded that it must have come more than 500 kilometers (300 miles) from the coast of Africa. He collected it, and sent it off for analysis; it turned out to contain numerous species of African freshwater algae. Similarly, clouds have been suggested to be a way that microbes get around the planet — a sort of bus system for bacteria. But the paper in “Geophysical Research Letters” went further. It claimed not just that microbes are traveling via cloud, but that some of them are actually living there — growing, metabolizing, reproducing — until plummeting back to earth when the cloud rains."

Friday, January 2, 2009

Melvyn Bragg In Our Time series: Darwin January 2009


To celebrate the 200th anniversary of the birth of Charles Darwin and the 150th anniversary of the publication of On the Origin of Species, Melvyn Bragg presents a series about Darwin's life and work.
Darwin: In Our Time site and schedule of programs.